Wednesday, 18 May 2016

The Secret to LONG TERM Radio Advertising

The most powerful advertising techniques can be found in universal truths. I want to talk about one today that I have never seen fail in 18 years.


If you want to achieve anything, you’re more likely to succeed if you break it down into smaller attainable steps.

The Haiku Stairs featured on http://canyouactually.com/7-of-the-most-extreme-staircases-on-the-planet-that-are-ridiculously-terrifying/


It applies to everything:

If your career goal is to be “the big boss” one day, you’re more likely to achieve it if you map out the various steps you need to eventually get there. They may include additional education, assuming new responsibilities, and seeking out new employment opportunities.

If your personal goal is to do some spring cleaning, you’re more likely to achieve it if you break it into smaller tasks. They may include cleaning out the garage, stripping and waxing the hardwoods, and sorting the closets.

The goal of every ad is to sell…a product, a service or an idea.

Want to increase your chances of achieving this goal?

Break it into smaller attainable steps.

In the case of advertising…THE FOUR STAGES OF THE BUYING PROCESS.

Here is everything you need to know to put the power of “smaller attainable steps” to work for your advertising goals.


First a review of the four stages every consumer goes through before they buy something:

Awareness: An ad catches your attention.

Interest: You become interested in the product because you can see a benefit.

Desire: You want the product because you strongly believe the purchase will make your life better and/or result in a satisfaction of needs.

Action: You decide that now is the time to act and buy.


When you apply the power of “smaller attainable steps” to advertising…

…the goal of every ad is to sell by advancing the consumer to the next stage.

http://popista.com/old-people-falling-down-stairs


NOTE: Steps are best taken one at a time, so stick to one step per ad. Trying to climb all the steps in one 30 second ad is like jumping UP a staircase. You will fail.


So the very first thing you need to do is determine what step you are climbing:

If nobody has heard of you and what you are selling…climb STEP 1: AWARENESS.

If people know who you are but don’t really care…climb STEP 2: INTEREST.

If people see a benefit in your product but have other higher priorities…climb STEP 3: DESIRE.

If people want your product but don’t have an immediate reason to buy…climb STEP 4: ACTION.

Everybody is going to have potential customers that are scattered across the various stages. The key here is to identify where the largest concentration is. So ask yourself:

What is the most common objection I encounter when I talk to people about my product?


Once you’ve identified your step, here is what you need to focus on:
http://www.careerealism.com/4-steps-networking-level/


STEP 1 – AWARENESS: You are introducing yourself, what you do, and why you do it. You need to focus on name recognition and, more importantly, your most interesting features (and I mean “most interesting” to your customer). Think of everything you’ve learned about “first encounters” with people and apply that knowledge here. Your “call to action” should be focused on “learning more about you”, so send them to your website and make sure there is something interesting waiting for them. Asking them to buy your product in an awareness ad is like asking someone to marry you on the first date. They’re not ready yet. Far from it.   

STEP 2 – INTEREST: You want to demonstrate how your business will benefit the customer. Identify the top three benefits of your product and do an ad for each one. Stick to general benefits that will be experienced by all of your customers regardless of demographics. Back up all claims with real examples. Testimonials are great ammunition here as long as you don’t fake them (people can tell). I also like problem/solution style ads that tell a compelling story about a common problem and then presents the product as a solution. Your “call to action” is still to the website but with the offer to “find out more information AND the best way to buy”.

STEP 3 – DESIRE: You want them to picture using your product and how much better their lives will be because of it. Your message has to have a strong emotional anchor and provide a virtual test drive of the results. You will need to get more specific with your target. General benefits don’t do well here. Identify the top three targets and write a custom results based ad for each. Include the results in the “call to action” and a purchase path that best suits the specific target. Busy moms don’t want to visit your showroom with kids in tow. Make it easy for them to buy the right product on your website.

STEP 4 – ACTION: You want them to know, without a doubt, that NOW is the time to act. The most common mistake here is that most people think time limited discount offers and finance rates are the only options. You’ll find more effective triggers in current events and the collective concerns they raise. The devastation in Fort Mac makes people want to be prepared. The completion of another school year makes people want to plan for what’s next. The summer weather makes people want to take advantage of it now before it’s over. How does getting your product right now address these collective concerns? The answer will be the basis of your ACTION ad.


When you take the “smaller attainable steps” approach you gain short-term traction and a long-term plan. If its your first time up the staircase, you’ll feel the progress from customer interaction and you’ll know when its time to move to the next step. Once you reach STEP 4 and see an increase in sales, you should proportionally increase your radio buy and run ongoing INTEREST and DESIRE campaigns at the same time. Switch all of the ads over to an ACTION campaign when current events present a great opportunity. This is the secret to LONG TERM radio advertising.

Want to know if your radio advertising is using the power of “small attainable steps”? Want to find out what step you should be climbing? Contact Audio Active Advertising today for a free consultation.





Ryan Ghidoni is an 18-year veteran of radio advertising and has worked with some of the most creative sales reps, writers, producers and voice talent in the business.

CHECK OUT “Audio Active Advertising” every week on Puget Sound Radio.

THE ONLINE AGENCY IS OPEN: Get “Audio Active” ads for your clients with Audio Active Advertising’s online agency. Check out over 100 Effective Ad Examples and then become the next one by ordering a Radio Single OR a Radio Campaign. Go to audioactiveadvertising.com.


Wednesday, 11 May 2016

What to do when the client wants to voice.

Dave Thomas and Andrea Martin from SCTV


“What if I voiced the ad myself?”

It’s one of the trickiest situations to navigate in radio advertising.

The client wants to voice the ad.

At this moment you need to decide…

Do you want to TAKE the client’s money or do you want to EARN the client’s trust?

If you want to take the client’s money…tell them “Absolutely…who knows your business better than you.” The client will love the ad (because they voiced it) and all of their friends and neighbors will say “Hey…I heard you on the radio”.

If you want to earn the client’s trust…have the following four conversations so that they can make an educated decision that is best for their business.


Client Conversation #1: Are you a strong pitchman?

Billy Mays 1958-2009. We lost him too soon.
Some clients are very successful radio pitchmen. When I ask groups of people what radio ads they remember most…the top 3 answers always include a client voiced ad.

BUT for every one that is strong, there are twenty that are actually hurting their business by voicing the ad themselves. If they sound unenthusiastic and stumble through the script, it will send out the wrong message. 

Why should I be excited about their product when they aren’t?

I once heard a series of radio ads in Toronto that featured one of the top gun realtors in the market. In person…she was a charismatic dynamo. It was easy to see why she was successful BUT strange things can happen when you put a microphone in front of someone and lock them in a small soundproof room. Her sixty second cold ads where so boring that the unpolished read distracted from what she was trying to say. I am sure she lost business and the station lost listeners every time the ads aired.

Start every client off with one of these two techniques to assess their pitch skills:

Make them the secondary character: Pair them up with one of your strongest in-house announcers. Have the announcer do the heavy lifting of delivering the sales message and bring the client in to add a personal invitation to the business OR demonstrate their passion for the product. They get to play a part in the ad and you get to assess if they are ready to handle a full 30 on their own.

Record an interview with the client: Find the most comfortable chair in the building, roll it in the voice booth, have the client sit in it, and mic them up in a comfortable position. Then ask them 5 to 10 questions about their business. Take clips from this casual conversation, write a wrap around and build a great 3 to 5 spot campaign. I love this approach because in a sea of scripted and overly energetic ads, these spots with genuine conversations really stand out. Make sure you click the link at the end of this article to hear a great example. It really helped that wine was consumed.


Client Conversation #2: Will the promise of the ad match the product experience?

When a client voices their own ad…they create an expectation. People who hear the ad will expect to do business with them.


Customer: Hi, I heard Dean talk on the radio about the great decks he builds. Is he here?
Receptionist: No Dean is not available, but let me get Frank.


It doesn’t matter if Frank is the nicest, and most knowledgeable guy in the world. The ad promised Dean and getting Frank can make the customer feel like they are not important enough to receive Dean’s attention.

If the client is going to voice the ad…there needs to be some front line contact with the people who respond to it. Can the client accommodate? If NOT, then consider using a star sales person as the voice OR at least acknowledge the front line people and have them do a quick pop in line:

Dean: The amazing decks we build wouldn’t be possible without the guys on our team like Frank and Steve.
Frank: We’ll build the deck of your dreams.
Steve: We can even create a custom printout of your design in less than 10 minutes.
Dean: So come see us today at Dean’s Decks.

This ad prepares the listener to work with Dean, Frank OR Steve.


Client Conversation #3: Does it fit your ad strategy?

Review what the client wants to accomplish with their advertising and make sure that “voicing their own ad” will support that goal.
 
If the core message involves “personal service”, “real people you can trust”, or “local guy who understands local needs”, then a client voiced ad will SUPPORT the message.

If the core message involves “we’re as (insert anything here…professional, capable, slick, massive, etc.) as the big box national chain”, then a client voiced ad can WORK AGAINST the message.


Client Conversation #4: Are you looking for Recognition or Results?

Ask the client: Is the goal of the ad to make you a star OR to bring more customers to your store? Sure…your brother, neighbors and friends will say “I heard you on the radio” but this does not mean that the ad is effective. Just because people know you, doesn’t mean they want to buy from you. An ad’s success should be measured by the increase in sales. 


Design an ad strategy that is focused on results, then determine if having the client play the lead role will support that strategy. Otherwise the client can get hooked on the recognition and spend years making themselves a local celebrity instead of making their business a local source of solutions.


If your goal is to establish long term business by offering genuine marketing advice, make sure you have these four conversations with your client when they ask:

“What if I voiced the ad myself?”

This question can be as awkward as the dreaded “does this dress look good” question BUT you now have the tools to navigate it. The client is making a large investment in their radio buy and are relying on you to give them the highest potential for success. Determining whether they should voice their ad or not is a big fork in the road that can lead to results or ruin. Make sure they give this decision the utmost consideration. Having a business fail is even more painful when everyone knows your name.

If you enjoyed this week’s article…please click on the following link to see my favorite client voiced parody ad from SCTV and a great example of ads that were based on the client interview technique discussed earlier.


Ryan Ghidoni is an 18-year veteran of radio advertising and has worked with some of the most creative sales reps, writers, producers and voice talent in the business.

CHECK OUT “Audio Active Advertising” every week on Puget Sound Radio.

THE ONLINE AGENCY IS OPEN: Get “Audio Active” ads for your clients with Audio Active Advertising’s online agency. Check out over 100 Effective Ad Examples and then become the next one by ordering a Radio Single OR a Radio Campaign. Go to audioactiveadvertising.com.


Saturday, 7 May 2016

Know the RULES and when to BREAK them.




Radio ad writing is a form of creative communication. Your goal is to communicate with your target listener in a way that is meaningful and memorable to them.

The rules of “formal writing” may have served you well in your post secondary education BUT radio advertising is all about writing informal and genuine conversations with real people.



 So today I present my Top 3 list of “formal writing” rules you should toss to make your ad copy more engaging:


Tossable Rule #1: Use a sophisticated vocabulary with terms that are accepted in the topic’s field.

I’ve been married for over 11 years and I’ve seen a lot of romantic comedies. You know how to spot the bad guy that the girl will not end up with? 

Chris Sarandon as Prince Humperdink in “The Princess Bride”

Look for the guy with the sophisticated vocabulary…because society has decided that this means he is a smarmy elitist and will ultimately put himself before others. An ad that gives off this impression and talks down to it’s target won’t be very convincing.


Instead, try writing in the language of your target consumer.

If you find it difficult to lock in the lingo of your target because you’re a 20 something male and you’re trying to write to 50 something females, then go to a website that is written for your target and emulate the style. A brief look at betterafter50.com tells me that 50 something females struggle to prepare their adult children for independent life, enjoy the music of Prince, and find Donald Trump’s hair amusing. Feel free to borrow certain phrases, terms and insights. Just make sure you have a 50 something female proof your copy to make sure you haven’t used something out of context.      

Use “terms that are acceptable in the topic’s field” if you are addressing people within that field. For example, if you’re trying to convince dentists to join an association of regional dentists, then feel free to talk about the benefits of correcting malocclusion while the mandible is still malleable.

Don’t use them if you are addressing people outside the topic’s field because it will confuse and alienate them. For example, if you are trying to convince homeowners to get a new roof, then using roofing terms like “end laps” and “selvage” will make people fear dealing with your roofing client.


Tossable Rule #2: Avoid a “first person” perspective. The formal writer is disconnected from the topic and does not use the first person point of view (I or we) or second person (you).

My intro to the power of “First Person” was Wolfenstein 3D

You’re writing on behalf of your client’s business and trying to build a bond between them and the listener. Why would you avoid writing from the perspective that is the most personal? During my career, I’ve worked with announcers that didn’t want to say “we” because they were not paid representatives of the client’s business. I respect this perspective and only use these announcers on ads where first person isn’t required. At the same time, I actively search out voices that are willing to voice in the first person because it’s more genuine and more likely to connect with people.  

Explore more about the difference between first and third person at: 
http://www.skillsyouneed.com/write/formal-or-informal.html#ixzz47bc6G1Oi


Tossable Rule #3: Always use Proper Grammar

Igor and the Grammar Slammer in “The Hilarious House of Frightenstein”

Proper grammar is of the utmost importance…if you are writing for academics and robots but 99 percent of the time…you’ll be writing for regular people. You’re more likely to reach these people if you are willing to just “shoot the shit” with them. Here is a list of very successful ad campaigns taken from about.com that would have been dreadful if proper grammar was observed:

GOT MILK?
Grammatically, that's not good at all. If you were to put that through the grammar filter, it would come out as something more like "Do You Have Milk?" But that's dry, and awful. 
Got Milk? was catchy, simple and created a craze. It helped sell a lot of milk, and was endorsed by many major celebrities.

Think Different - Apple
If it were 100% correct, it would be Think Differently. Again, that's not a strong piece of communication. Tonally, it has less teeth. It's stiff. Boring. Think Different was 
bold and brave.

Make Summer Funner - Target
A lovely little campaign from a few years ago. Grammatically speaking, it's an F. But "Make Summer More Fun" is bland. The incorrect version works.

The Few. The Proud. The Marines. - U.S. Marine Corps.
Three two-word sentences back-to-back? That's not good. But it is. A good, simple sentence should have at least a subject and a predicate. However, once again the rules have been broken to create a phrase with impact.


If you are a badge wearing member of the grammar police…I recommend that you explore another perspective and check out the full article “Grammar. Don’t. Matter. – Perfect Syntax is No Substitute for Great Communication” at http://advertising.about.com/od/copywriting/a/Grammar-Do-Not-Matter.htm

I also recommend reading “There Is No Proper English” by Oliver Kamm of the Wall Street Journal at

Picture featured on torontorealtyblog.com

Rules are helpful when you are trying to organize information to share with people. I’ve used “rules of radio” a couple of times while compiling these articles. BUT I want you to understand that for every rule I’ve learned about radio advertising, I have witnessed the opposite approach succeed. How is this possible? The writer knew that any rule can be and should be tossed if it results in more meaningful and memorable communication. So learn the rules…then learn HOW and WHEN to break them.

Ryan Ghidoni is an 18-year veteran of radio advertising and has worked with some of the most creative sales reps, writers, producers and voice talent in the business.

CHECK OUT “Audio Active Advertising” every week on Puget Sound Radio.

THE ONLINE AGENCY IS OPEN: Get “Audio Active” ads for your clients with Audio Active Advertising’s online agency. Check out over 100 Effective Ad Examples and then become the next one by ordering a Radio Single OR a Radio Campaign. Go to audioactiveadvertising.com.